å Ư¡ ( о 100) - ÷ 1 ־ ֵ ߽ϴ. - ǰ ۰ Ұմϴ. - ʹ Դϴ. ηϿ ۾ ⺻ (The Elements of Style)÷. 100 ̱ ȸ ۾ å̸, 2011 Ÿ 1923 ִ 100 ϳ. __________________________________ 1873 ǥ. Ż ʸ ״ Ŭ ģ 80ϰ ֿ 2 Ŀ ⸦ ɰ Ͽ Ѵ. ϰ õ()() ġ հ . ε ̸ ȭ뿡 ϰ, ̱ ε ް, 뼭翡 踦 μ ϴ տ ϴ Ѵ. dz Ұ Ҿ dz Ǿ. (λ) 80ϰ ֡ Ȱ ǰ, 18 ζ û Ǹźμ , þƾ, Żƾ, ξ ̱ ϴ. å ̼ ҷŰ ̾. Ͽ Ȧ ¥ Ż ʸ ״ Ŭ ȸ 80 ָ ִ ĸ ⸦ ϰ ȴ. Ľĸ Բ ״ ϸ α Ϻ , (Sioux) ε ȴ. Ҽ dz Ư ΰ Ľĸ ִٰ ص ƴϴ. Ż翡 ̰ 巯 ʴ ״ ðó Ȯ ð ؾ߸ Ǯ Ż̴. ־ 24 ǥ ð뿡 Ұϴ. ̰ ߶ Ľĸ װ 鿡 . Ͼ Ұ ᱹ ¥ Ż縦 ȭŰ ȴ. (ױ о å 1001)
ǰ
Around the World in Days
1. IN WHICH PHILEAS FOGG AND PASSEPARTOUT ACCEPT EACH OTHER,
2. IN WHICH PASSEPARTOUT IS CONVINCED THAT HE HAS AT LAST FOUND HIS IDEAL
3. IN WHICH A CONVERSATION TAKES PLACE WHICH SEEMS LIKELY TO COST PHILEAS FOGG DEAR
4. IN WHICH PHILEAS FOGG ASTOUNDS PASSEPARTOUT, HIS SERVANT
5. IN WHICH A NEW SPECIES OF FUNDS, UNKNOWN TO THE MONEYED MEN, APPEARS ON 'CHANGE
6. IN WHICH FIX, THE DETECTIVE, BETRAYS A VERY NATURAL IMPATIENCE
7. WHICH ONCE MORE DEMONSTRATES THE USELESSNESS OF PASSPORTS AS AIDS TO DETECTIVES
8. IN WHICH PASSEPARTOUT TALKS RATHER MORE, PERHAPS, THAN IS PRUDENT
9. IN WHICH THE RED SEA AND THE INDIAN OCEAN PROVE PROPITIOUS
10. IN WHICH PASSEPARTOUT IS ONLY TOO GLAD TO GET OFF WITH THE LOSS OF HIS SHOES
11. IN WHICH PHILEAS FOGG SECURES A CURIOUS MEANS OF CONVEYANCE AT A FABULOUS PRICE
12. IN WHICH PHILEAS FOGG AND HIS COMPANIONS VENTURE
13. IN WHICH PASSEPARTOUT RECEIVES A NEW PROOF THAT FORTUNE FAVORS THE BRAVE
14. IN WHICH PHILEAS FOGG DESCENDS THE WHOLE LENGTH OF THE BEAUTIFUL VALLEY
15. IN WHICH THE BAG OF BANKNOTES DISGORGES SOME THOUSANDS OF POUNDS MORE
16. IN WHICH FIX DOES NOT SEEM TO UNDERSTAND IN THE LEAST WHAT IS SAID TO HIM
17. SHOWING WHAT HAPPENED ON THE VOYAGE FROM SINGAPORE TO HONG KONG
18. IN WHICH PHILEAS FOGG, PASSEPARTOUT, AND FIX GO EACH ABOUT HIS BUSINESS
19. IN WHICH PASSEPARTOUT TAKES A TOO GREAT INTEREST IN HIS MASTER,
20. IN WHICH FIX COMES FACE TO FACE WITH PHILEAS FOGG
21. IN WHICH THE MASTER OF THE 'TANKADERE' RUNS GREAT RISK
22. IN WHICH PASSEPARTOUT FINDS OUT THAT, EVEN AT THE ANTIPODES,
23. IN WHICH PASSEPARTOUT'S NOSE BECOMES OUTRAGEOUSLY LONG
24. DURING WHICH MR. FOGG AND PARTY CROSS THE PACIFIC OCEAN
25. IN WHICH A SLIGHT GLIMPSE IS HAD OF SAN FRANCISCO
26. IN WHICH PHILEAS FOGG AND PARTY TRAVEL BY THE PACIFIC RAILROAD
27. IN WHICH PASSEPARTOUT UNDERGOES, AT A SPEED OF TWENTY MILES AN HOUR,
28. IN WHICH PASSEPARTOUT DOES NOT SUCCEED IN MAKING ANYBODY LISTEN TO REASON
29. IN WHICH CERTAIN INCIDENTS ARE NARRATED WHICH
30. IN WHICH PHILEAS FOGG SIMPLY DOES HIS DUTY
31. IN WHICH FIX, THE DETECTIVE, CONSIDERABLY FURTHERS THE INTERESTS OF PHILEAS FOGG
32. IN WHICH PHILEAS FOGG ENGAGES IN A DIRECT STRUGGLE WITH BAD FORTUNE
33. IN WHICH PHILEAS FOGG SHOWS HIMSELF EQUAL TO THE OCCASION
34. IN WHICH PHILEAS FOGG AT LAST REACHES LONDON
35. IN WHICH PHILEAS FOGG DOES NOT HAVE TO REPEAT HIS ORDERS TO PASSEPARTOUT TWICE
36. IN WHICH PHILEAS FOGG'S NAME IS ONCE MORE AT A PREMIUM ON 'CHANGE
37. IN WHICH IT IS SHOWN THAT PHILEAS FOGG GAINED NOTHING
۰Ұ &
one book cover
ϴ : Ϻ̵
one book (üå) ø Ұ
one book (üå) 뼳.
η ۾ ⺻ (THE ELEMENTS OF STYLE)
- CONTENTS
I. INTRODUCTORY
II. ELEMENTARY RULES OF USAGE
III. ELEMENTARY PRINCIPLES OF COMPOSITION
IV. A FEW MATTERS OF FORM
V. WORDS AND EXPRESSIONS COMMONLY MISUSED
VI. SPELLING
VII. EXERCISES ON CHAPTERS II AND III
DZ